![]() ![]() As a result, criminals are emboldened and residents’ fears are compounded. The failure to solve black homicides fuels a vicious cycle: It deepens distrust of police among black residents, making them less likely to cooperate in investigations, leading to fewer arrests. While police arrested someone in 63 percent of the killings of white victims, they did so in just 47 percent of those with black victims. In more than 18,600 of those cases, the victim, like Jackman, was black.īlack victims, who accounted for the majority of homicides, were the least likely of any racial group to have their killings result in an arrest, The Post found. In the past decade, police in 52 of the nation’s largest cities have failed to make an arrest in nearly 26,000 killings, according to a Washington Post analysis of homicide arrest data. “We all know who shot my son,” Skinner said later. She grabbed her youngest son’s hand, yanking him away from the man and back to their car. She froze: It was the same man who she believes killed Jackman. Kaiesha Skinner’s gaze followed her young son and then settled on the man holding the leash. Please enable JavaScript for the best experience.īOSTON - Nearly a year after Aice Jackman was gunned down in the street, his mother and 5-year-old brother walked into a Dunkin’ Donuts, where the boy spotted a pit bull puppy and dashed over to pet it. And while it plays fast and loose with loaded political iconography, this "Robin Hood" has brought a whole new dimension to this age-old tale.Warning: This graphic requires JavaScript. It is certainly visually striking, though the story loses steam. Stylistically, it seems to take its cues straight from Sergei Eisenstein's revolutionary 1925 film "Strike" with plenty of high-contrast images and low angles, the action racing along the rickety, scaffolds of the mining community crushed under the Sheriff's boot. The second half of the film loses the energy as John fades to the background while Robin, Marian and a love rival, Will (Jamie Dornan), struggle for control of a jumbled uprising. His breathless enthusiasm for vengeance is far more compelling than the mooning over his ex Marian that drives Robin to action. Foxx also enlivens the proceedings, especially in the first half of the film, during the rapid-fire training montages. Writers Ben Chandler and David James Kelly hew to the original lore while drawing out the parts of the character's story that make him the most sympathetic, while director Otto Bathurst gives the project a visual makeover and a jolt of adrenaline. The tale necessarily requires a thorough overhaul. The first time Robin Hood appeared on film was 110 years ago. There's even a fun little Reagan-era Iran-Contra twist to that too. The idea is to take the whole enterprise down from the inside, choking off the church's funding of the war earned through brutal taxation. He lets Robin call him John and trains the young lord to infiltrate the inner circle of the Sheriff (Ben Mendelsohn) while robbing the coffers blind, disguised as The Hood. Jamie Foxx plays a Moor warrior who stows away to England to enact revenge for his son's death, and engages Robin to help him do it. It's in battle that Robin meets his best ally, who starts as an enemy. There are no pitched battles in sight - this looks more like the cinematic depictions of Operation Iraqi Freedom, but with bows and arrows. The holy war also gets the modern treatment, as soldiers engage in guerrilla street warfare against their enemies. He also has a traumatic backstory, having been conscripted to fight in the Crusades, taken from his land and love, Marian (Eve Hewson). Played by the beguiling Welsh actor Taron Egerton, this Robin Hood is younger than most actors who have taken the hood, suited in trim quilted leather and minimalist robes, sporting a clean, sharp 'do. ![]()
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